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JG2
Marathon
June 1-4, 2006 |
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JG 2 DVD/VIDEOS -- THE INFORMATION IS
NOW LISTED AT
http://www.worldlinedancenewsletter.com/CJsVideos.html
There's an order form and the complete list of dances on the DVDs
or Videos and an awesome list it is. Every dance that was taught at
the JG 2 Marathon is on the list and you can also order the show and
the parade if you wish or if you just want the dances, you can just
order the dances. If you've never seen the videos from an event they
have a quick teach of each dance and they are a great help when trying
to figure out dances from the step sheet alone. Many of these dances
will be done for at least the next year and will be done at coming
events so take a look and I promise you will get prompt delivery from
CJ because he is great at doing his job!! I know I sound like his
mother but really I just like to acknowledge how happy I am when I
know he's doing the videos at an event because I know I will get a
fast turnaround, quality product.
*****************
JG2 PHOTOS NOW ON THE SITE
Kermit's photos from the weekend are now on the site. There's lot's
of them and you can order them from him so check them out. He does
a great job!! Be sure and look at the ones of the Parade and there's
hundreds of pictures that you can order or just look at.
http://www.jg2country.com/
******************
FROM: tgml@bellsouth.net
What an awesome event. I just got back from Raleigh and wanted to
say that this is such a well run event. All the classes start on time
and they don't run over. Jean and James did another excellent job.
And all the staff at the hotel did such a good job and they were very
helpful in any thing you needed. The instructors were all great and
danced with us at night. GREAT dances were taught---many dances. But
I would like to comment on one of the instructors---Michael Barr.
He is not here on the east coast so we on the east coast have really
not seen him much. But he is one of the most gracious instructors.
I truly enjoyed getting to take his classes again. But he will be
in Tampa this year, so that is a plus for us. My thanks to all for
such a wonderful event and all the hard work. tgml@bellsouth.net
*********************
FROM: Cathy Falconer
It was my first time at the JG2 Line Dance Marathon this year and
it was fantastic!! There was not one negative thing to say about the
entire weekend! The hotel was great and everything went so smoothly,
every moment was packed with fun things to do and see! What I liked
best was the casual, friendly atmosphere that made you feel like you
were at a giant family reunion. Favorite moments were:
1) Meeting MICHAEL BARR for the first time and learning GO GREASED
LIGHTENING this was my all time favorite dance for the weekend! What
Grease fan has not imagined themselves on top of that car with John
Travolta pumping those arms and singing that song, now we have a legitimate
excuse to get out in front of folks and do it!!!!! :o) I was also
very impressed with how he handled the class. There were a ton of
people in a small room and when I started I was at the back of the
class and all I could see was his face. I was thinking, hmmm I hope
I can pick this up by just listening to what he says. Then after he
taught a bit of the dance he had us rotate so that those in the front
went to the back and everyone moved up some. He did this several time
so that everyone got a chance to be up front and really see how to
do the dance. He also came down into the crowd and moved around as
necessary to make sure each and every one of us got that dance and
some how he was able to get ! a room full of people to do this dance
without taking out our neighbors with all the arm movements! Michael
was high energy, very nice and lots of fun, I will definitely take
another class from him in the future!
2) Dancing with BARRY DURAND showing JALAPEN-YO!, the dance we wrote
together, and BEEP IT (Love this dance!) also dancing SPIDERMAN with
him in the show and choreography.
3) Learning the Tennessee Body Roll from JUNIOR WILLIS during his
class for RUN IT. I love Junior, I loved the dance and as usual I
have another great Junior saying that will be stuck in my head forever.
He gives great toasts too! ;o)
4) Learning GET IT WHILE IT'S HOT and BATTER UP from JOHN ROBINSON.
BATTER UP was an extra teach and it is an easy, fun new dance to a
Trace Adkins song. I can't wait to teach this one at The Barn! Thanks
to John too for writing the new marching song for the BNG! ;o)
5) Meeting Liz Clark for the first time and taking a couple classes
with her, she is so much fun! You never know what she is going to
say next! I liked the cha cha, "Wish I", the waltz, "Curious
Soul" and the very easy 2-step "Bull By The Horns".
Of course the Flying Scot was her big hit of the weekend, I didn't
get to learn it but all my friends really enjoyed dancing it!
6) FANTABULOUS by BRACKEN ELLIS. This was my second favorite dance
of the weekend! I loved the dance though I wasn't too sure what I
thought about the way she taught it. She taught a little bit of the
dance to each wall so that you learned some on this wall, some on
that and then had to put it all together by the end. It was a bit
confusing to learn that way but it did force you to really learn the
sequence of the dance and not look to landmarks as reference points
so while it seemed hard to learn that way at the time, I did learn
the dance, I do remember the dance and I felt a really strong sense
of accomplishment at the end because I felt like I got the dance and
solved a puzzle all at once! Bracken hurt her toe during this dance
and she still kept calling it for us even while she was lying on the
stage and they were doctoring her foot! Simply amazing! I hope you
get better soon Bracken!
7) Last but certainly not least, learning WORDS UNSPOKEN from PETER
METELNICK. I just love Peter and Alison, I have never met a P&A
dance I didn't like!!! They also taught COME INTO MY WORLD and PUSH
THE BUTTON this weekend and they are already two of my favorite dances!!
I want to say THANK YOU to James & Jean for a great weekend!
I also want to say a BIG THANK YOU to Sandy, Melinda, Diane, Lindy,
Janis, Patti, Theresa, Karen, Paulette & Sodie!! You girls sure
know how to have a good time!! :o)
BNG Forever!
-Cathy Falconer
www.cathyfalconer.com
********************
FROM: Marilyn McNeal, BoarsNestFarm@aol.com
Florida was well represented and a fabulous crowd of dancers from
all over the world attended the Line Dance Marathon in Raleigh. Ray
was committed to a legal conference in Tampa, but I was happy to see
many dancers Ray and I have known for a decade or more at this “good
time” weekend event with great instructors, great DJs, happy
people and a really great hotel. The weekend flew by, smooth and efficiently,
each class right on schedule, and I know James and Jean are proud
of another successful event!
Choreographers from everywhere taught a huge variety of dances, some
new, some old, for every level and style. I enjoyed all the classes
I took and regret missing some I really wanted to take. Two “over
the top” show pieces were taught and performed Sat. night: Barry’s
“Spiderman” and Michael’s “Greased Lightning”,
which you MUST see and learn whenever they are taught again by these
two talented guys, hopefully this year in Florida! Everyone had TOO
much fun with both of these dances! You have to learn each of them
from Barry and Michael because the “extra” stuff they
do and say just adds to the whole experience!!
I met Oli Geir from Iceland, who is new to us in the States and I’ve
chosen WALK ON ICE as one of my dance teaches at the Florida Masters
in Orlando in July. There are many great dances are out right now
to choose from our USA and European choreographers, plus our own Florida
teachers! Also, I believe every dancer especially appreciates all
those instructors who stay to dance with us at night. Having you on
the floor as we try to remember what you taught us, gives us a feeling
of accomplishment.
Florida was a big part of the choreography contest. I have not heard
the results yet (had to catch our plane) but gals competing from our
area were Sandy, Lindy, and Janis, Kathy Brown, Terri Alexander and
Christine Bass. There will be many write-ups on this event this week
in Carol’s newsletter, so read them all to get the whole story!
Thanks James and Jean for a quality event and a fun weekend and to
ALL the instructors, staff and volunteers. See you on a dance floor
somewhere soon!
Dance with us at Midnight Rodeo this Thursday night for Line Dance
from 7-10PM, in Ocala. Best dance floor in the state and the friendliest
dancers too!! (Of course, I’m partial!) I’ll be teaching
something new from the Marathon! See you here!
***************************
FROM: Alison Biggs & Peter Metelnick
What can I say? This is the first time I have been invited to teach
at The Marathon and I had a ball. This is truly a well run event,
James and Jean do a great job!
I met lots of dancers who I hadn’t seen in a long time and met
up with lots of friends made through the world of dance and also managed
to meet dancers/instructors of whom I knew but by name only. These
people came to North Carolina from all over the USA and beyond. It
was lovely to be part of this great attraction.
The workshops themselves run like clockwork and the dancers attending
the event had lots of choices. I think both their brains and their
feet must have been frazzled by the time Sunday afternoon came along.
Mind you they also must have been happy bunnies as they were part
of what was a good event.
I would like to thank on behalf or Peter and I, the volunteers who
did a great job at keeping everything running like clockwork, the
hotel staff who were always helpful and courteous, James and Jean
for allowing us to be part of their weekend and last but not least
we would like to thank you ‘the dancers’. If it wasn’t
for you none of these things would be possible. You are the inspiration,
you are the ones who give these events what they have become……..a
place to be!
Keep on dancing…..keep on smiling…… and keep on
coming……we all need you….we all need each other
to keep our wonderful pastime alive!!!!
Hope to see you somewhere during our visit and a big ‘thank
you’ to all the dancers who attended and supported our workshops,
we appreciate you all very much. Hope to see and be with you all again
soon.
Have fun on the dancefloor!
Alison Biggs & Peter Metelnick
*****************
FROM: Karen
Just back from the Marathon and wanted to say what a good time I had
this year.
My favorite dance of the weekend was Peter Metelnick & Alison
Bigg's COME INTO MY WORLD. It is such a beautiful dance to a wonderful
rendition of Woman In Love. This was played many times in open dancing
and filled the floor each time. I had never taken a class with Alison
before and have to say she is an excellent instructor. Another instructor
who I took classes from for the first time was Oli Geir and he was
very good as well.
Other dances that I really enjoyed - in no particular order:
ONLY YOU - Gerard Murphy; lovely NC2
BREAK FREE CHA - Scott Blevins; the best of his new dances
JUST A MATTER OF TIME; Michael Barr; good WCS line dance
RED DRESS/PUSH THE BUTTON; 2 great dances from Peter & Alison
to music by the Sugababes
FANTABULOUS - Bracken Ellis; In a word - fantabulous!
HEY PEOPLE - Guyton. Good dance and music
WORDS UNSPOKEN - Peter & Alison; The dance fits the music so well.
It's a challenging dance but was well worth the effort spent learning
it.
Recommended.
FLYING SCOT - Liz Clarke; It was fast and fun on the floor.
DROP THE HEAT/SHAKE - Guyton; another 2 good dances
HELLUVA POLKA - Kathy Hunyadi; Fun, easy country dance with a great
song
PRE PARTY - Maurice Rowe; Nice smooth dance from Maurice
PORCELANOSA - Peter & ALison; You have to hear the music for this
one - it makes you want to dance. Good dance too.
There were a lot of good dances this year - it was hard to chose what
classes to take. Other dances that were taught on the weekend and
did well on the floor - WALK BACK TO ME, KEEP ON DANCING, PUMP IT,
GET IT WHILE IT's HOT, RACEY LACEY, SYNCOPATED KISS, SALSARIA, HAPPY
HOUR, AFTER PARTY, GREASED LIGHTNING and START A LOVE TRAIN.
Thanks to James & Jean, all their staff, the DJs and the hard
working choreographer/instructors who year after year keep giving
us more great new dances to enjoy. See you at next year's Marathon!
Karen
**************
FROM: BONNIE STEIN (Bonnie@AceWalker.com)
Carol asked for impressions of the JG2 Line Dance Marathon from any
first timers, so here it goes. I’ve been to other dance weekends
(including Worlds) but this was my first time at the Line Dance Marathon.
I truly can not think of one single suggestion for James and Jean.
They have thought of everything. The hotel was perfect – clean,
comfortable, great dancing rooms with appropriate temperature, (the
most comfortable hotel beds that I’ve ever slept in), and a
free shuttle from the airport.
There was a buffet dinner every night for only $10.95. Granted it
wasn’t the most fabulous food, but considering how most hotels
overcharge for food, this was very well priced. We paid for a refrigerator
in the room so that’s where I had breakfast and lunch every
day. There was also a deli in the hotel with a Starbucks Coffee. If
you wanted to go out to a restaurant for dinner, the hotel shuttle
would take you, but it was so much easier just eating in the hotel
restaurant. The staff was unbelievably friendly and helpful. This
was the first time I’ve felt that the hotel staff was delighted
to have us there and went out of their way to make us feel welcome.
When I arrived on Thursday afternoon – the wooden floors were
already down in all of the ballrooms. Often when I arrive at a weekend
event, floors are still being assembled and often the dance classes
don’t start on time because of the delay. In this case, dance
classes were very punctual. They started and ended on time. There
was a door person at each door to make the transition between classes
very smooth. And this was no small feat at Marathon since six dance
rooms were open every hour.
I loved having the previews every morning so we knew what classes
to attend. The instructors were fabulous and there was a tremendous
variety. Although I consider myself an Intermediate line dancer (and
also on a dance team) one day I decided to attend a beginners class.
It had been so long since I attended such a class at a weekend workshop
that I just wanted to remind myself what goes on. I saw people in
that class that I hadn’t noticed all weekend – some brand
new dancers, some older dancers, and some dancers who were less fit
and less mobile than most of the hundreds of line dancers dancing
in the other rooms.
These dancers were having a wonderful time. They clapped for themselves
when they got the steps right. They smiled and laughed the whole 50
minutes that they were on the dance floor. They made plenty of mistakes,
even though the dance was pretty easy in my mind. But, the instructor
(Steve Lescarbeau) handled the class beautifully. He repeated the
steps as often as they needed it, positively reinforced the struggling
dancers, and by the end of class everyone was very pleased with their
progress. Although the dances were probably two that I would never
do again, I loved being part of this class. What a nice reminder of
how excited I used to be 7 years ago when I first learned line dancing
and would be able to catch on to a dance.
Sunday’s schedule included choreography competition which was
fun to watch. If there was one thing I’d like to see more of
it would be some line dancing competition and especially Pro Am Line
Dance competition to encourage new people to compete. I understand
that many event directors have dropped or are dropping LD competition
because so few people sign up even when they have it scheduled and
have paid for judges. I’d love to hear from some event directors
as to what they think would bring back LD competition. I hear that
LD competition used to be pretty big at one time. What happened?
Congratulations to James and Jean for a very professional and organized
line dance weekend. There was something for everyone from the beginner
to the advanced dancer to the choreographer. I have heard that there
are some other “not to be missed” weekend events such
as Windy City in Chicago in October and Boston in February. I plan
to try both of those in the future. Meanwhile, I must say that if
you can go to only one line dance weekend out of town – this
would be the one not to miss.
----------------------
Bonnie Stein, M.Ed., CPTS
AceWalker Walk Your Way to Fitness Programs
Email: Bonnie@AceWalker.com
Visit us at: www.AceWalker.com
*********************
FROM: Robert Mah, P.Eng.
I always appreciate hearing about LD events in Carol's newsletter,
especially to know what ones to consider attending in the future.
JG2 is in their 13th year. It's easy to understand why it's an enduring
event. Everything ran smoothly from the demos, competitions, shows,
costume parade and lots of open dance time in multiple rooms. James
and Jean ask choreographers to bring their latest and only teach their
own dances. While this sounds restrictive it has earned the reputation
for the place to learn the new dances for the year in North America.
Like the Line Dance "new model" year.
There were also international dancers because of this reputation.
Choreographers came from the US, Canada, Iceland, Scotland and the
UK. (I'm just writing this on the airplane from memory so I hope I
didn't leave out any country.)
Thursday James and Jean relaxed the rules and let instructors teach
other people's dances. There were 6 dance rooms plus one extra open
dancing room. Teaches ran 10 am to 7 pm on the hour Friday and Saturday
then Sunday morning.
That being said, you could only take so many classes. The morning
demos really helped. You can see what it looks like and what the music
sounds like. I prefer morning demos. Yeah it's hard to get up but
evening demos seem to break into dance time and somehow after all
that dancing you forget what they all looked like the next morning.
Especially, if you were undecided between two. Part of what I picked
was determined by who I will be seeing next. Scott, Gerard and John
are going to be at The Big Party in Toronto in 3 weeks. So I gravitated
to other instructors.
I really liked Liz Clarke. Took a class from her for the first time.
WALKING BACKWARDS was an easy dance with a song that Pepper mentioned
seemed to stick in your head. (Of course you're walking backwards
when he sings the words.) I really enjoyed learning THE PROMISE and
WISH I. Easy dances that you can play with. Michael Barr also taught
an easy dance (but fairly fast beat) BORN TO BE BLUE. I liked playing
with that one. Neville Fitzgerald taught PUMP IT. For me it was a
review from when Rachel and Paul taught it at the One Day Fun Workshop
in Markham/Toronto. It got a lot of play at JG2, always filling the
floor. Pepper Siquieros taught CELTIC KITTENS that you can warm up
your Scottish or Irish feet to.
I really like Guyton Mundy's HEY! PEOPLE. Fast, fun, no arms, no tags.
Bracken Ellis did her one teach of FANTABULOUS before the “accident”.
It seems a lot of people know this dance and really like it. Alison
Biggs taught COME INTO MY WORLD to the Barbara Streisand track. I
thought: Great, another track that Louie will only play if really
pressed. It's a great dance with a few tags that you can really hear
easily in the music.
Everyone seems to like Guyton's SHAKE even though it's 128 counts.
It's good to get a real teach on it. Some people jump up just to do
the B part. Hmmm, fake and shake. LOL.
Scott Blevin's BREAK FREE CHA is a dance to a great song. Unfortunately,
no single wall completes the 64 counts. There's a restart at a different
wall almost every time. The restarts are obvious. The panic is: Have
I danced this wall before and which way should I face after the turn?
(Read your step sheet before class.)
We've been doing Michael Barr and Michele Burton's GO GREASED LIGHTNING
since Ft. Wayne. A lot of people like dancing it and it won the top
Choreography Pro prize.
Other teaches I liked:
Max Perry WITH THESE EYES
Oli Geir MANDY (we managed to remember it at night)
John Robinson CHA CHA HEELS, COLD HARD CASH, TOUCH ME TONIGHT, AQUARIUS,
KOWBOY KRAZY (I've finally realised that this dance matched the Wild
West Theme.)
Pepper Siquieros JUICY (too bad more people didn't take this)
Max Perry START A LOVE TRAIN, SUMMERTIME CHA CHA (one of Max's old
ones with no actual cha cha.)
Neville Fitzgerald LOCK ALL THE DOORS
Thanks to Kermit Dukes for all the event photos.
http://www.printroom.com/ghome.asp?domain_name=KERMITDUKESPHOTOS
http://www.printroom.com/ViewGalleryPhoto.asp?userid=kermitdukes&gallery_id=401681&image_id=271
(Bracken's such a trooper, keeps on teaching!)
http://www.printroom.com/ViewGallery.asp?userid=kermitdukes&gallery_id=401681&curpage=16
(Blundy sisters, as never before.)
Robert Mah, P.Eng.
Applications Consultant
RM Systems Integrators
rmah@computer.org
http://rmsystems.ca
********************
FROM: Trish – Keep on Dancin’
– California
Just back from Raleigh – and summing up our 4 day weekend at
the 2006 JG2 Line Dance Marathon – fabulous and fun!!! I feel
like I was at a summer camp for adults! As Carol Craven said, the
event is so well organized, there never seems to be any blips –
at least any that are visible to the dancers.
The instructors were wonderful – we particularly enjoyed Scott
Blevins, Guyton Mundy and Neville Fitzgerald. Since we already knew
(and love) Neville’s dances that he taught, I’ll just
talk about the new ones we learned there. Loved Hey People (Guyton’s
dance) and Pump It (MIL), but taught by Neville. Hey People filled
the floor every night after he taught it – it’s fast,
but relatively easy and there are no arm movements! (not that I mind
the arm movements – love Shake as well). Pump It is also fast,
but so much fun and it filled the floor as well, so it’s not
too hard – if we can learn a dance with just one one hour workshop
and dance it that night, then it can’t be too hard, can it?
And we did that even with our brains fried ;-) I also think that Scott’s
new dance Break Free Cha will be a big hit. The music is great, and
the dance is not _that_ hard. You can hear all the restarts perfectly
since they’re just breaks in the music, except the 2nd wall,
and that needs just a bit of work. But this dance also filled the
floor duing social dancing.
And Shake – we learned this dance last weekend at Bonanza Bash
X, but I took the workshop again from Guyton as you can always pick
up a new bit of technique that he uses. This dance is already a hit
as it also filled the floor every night!
Also, Alison Biggs taught Come Into My World which I taught last weekend
at Bonanza Bash X – this dance was also popular at JG2.
We missed having Wildman Louie DJ all night long – he didn’t
start until 10:00 pm each night. But since we danced until 3:00 or
later each night, I guess we were able to get our “dance fix”
in.
And then just seeing old friends and meeting new friends – this
is the best part of these weekend events – loved the late (or
early ?) breakfasts at the Waffle House around 2:00 am every night/morning,
and then back to the dance floor to try to wear off the calories!
I need a few days to digest all the dances from JG2 as well as Bonanza
Bash X and decide what I want to teach first!! This is a huge job
as there are so many to choose from.
I know there are more dances and fun things from this event that I’ve
forgotten about – I’ll add more next week.
Hope people will put this event on their calendar for next year (May
31, 2007) – we plan on being there!
Trish Boesel
*************************
FROM: Lynne Flanders, CT lynnes-lines@juno.com
It was great to see you all there. This was my 1st time (But, NOT
the last) at the JG2 Marathon in NC. My adventure started when we
left CT for an overnight in PA where we hitched a ride with our friends
from PA
(Jamie thanks for the ride). We arrived too late to take any classes
on Thurs, but made up for that over the weekend and we danced all
night (enjoyed the DJ battles too). We split up to take in as much
as possible to share with each other later. The list of favorites
grew & grew = there was so much talent everywhere. I'm sure everyone
will write in about the hottest dances & instructors so I won't
write about that. I found a few easy dances (country & oldies)
to bring back for my Senior and Park & Rec classes and several
unique, higher level dances for the Clubs. (I'll write about them
later). The weekend's cues are in a big BOOK (not a
little pamphlet) with enough "stuff" to satisfy any taste.
As part of the Staff, I met many new friends & though it was my
first time to the Marathon (and to NC) I felt at home = there were
smiles everywhere.
Friday night's show was amazing (we used up the batteries in all our
cameras). Saturday night's Wild West parade was soooo much fun with
Indians, teepees, horses, gold diggers, the "F" troop, can-can
dancers,
saloon girls and more. I'm told that the theme changes every year.
Sunday was competition day - A BIG Thank you to my friends from CT,
NY, MA & PA that came by to show me their support and to wish
me luck (my dances placed 2nd & 3rd). Then, the Pros strutted
their stuff - wearing wigs,
tablecloths, wheelchairs & arm slings - waving drinks & flags
- it was more like another show than a competition !!! Congrats to
all that won!!! We are now home in CT, but not before stopping in
PA to dance with Michael Diven at the "Winning Circle" where
we danced the overall winning dance "Go Greased Lightening"
(and tried to remember the others we learned). Thank you James &
Jean (& Steve & Fran etc)!! Your hospitality was greatly appreciated
(& the hugs too). This is a trip that was well worth making.
See you again next year.
Lynne Flanders, CT lynnes-lines@juno.com
*******************
FROM: barbfashions@aol
and bigdbash@yahoo.com
Congratulations to JG2 for a fantastic event, as usual!!!! They are
truly a talented couple and have one of the best line dance events
in the World! Everyone is looking forward to what surprises they have
in store for next year! This is the first year I have had to miss
due to a broken elbow and major shoulder problems, but Sondra was
there with bells on and met so many of you. I will certainly be there
next year!
******************
FROM: pdstonge@aol.com
Carol, here's the dances I enjoyed at the Marathon. My plane landed
at 3 pm Thurs and I rushed to make the 4 pm class with Christopher
Petre and was so glad he was going to teach "KEEP ON DANCING."
If I hadn't seen the Thursday schedule Pepper posted on line, I wouldn't
have known until too late. (Thanks, Pepper) My other choices were
all determined by the music. If I liked the music, I wanted to learn
the dance. I loved "HAPPY HOUR" by Junior Willis & Guyton
and so glad someone wrote a dance for a current hit by Toby Keith.
I enjoyed Peter Metelnick's RED DRESS but need another lesson on it
because by the time it was played in open dancing my memory couldn't
function fast enough to keep up with the music. I went to Bracken
Ellis's 4 o'clock class on Fri only to find her in a wheel chair with
her foot propped up on the back of a chair. Her mother said she had
hurt her toe in the previous class. After getting some medical attention,
Bracken cued ASPIRE and PERF! ECT MATCH from her wheel chair while
her mother showed us the steps. Both dances were beginner/intermediate
dances and fun to do and I was trying not to "fry" my brain
too early in the week end. Next I went to Liz Clarke's FLYING SCOT
class as knew it would be highly entertaining and it sure was. I decided
to go to Michael Barr's class GO GREASED LIGHTNING after seeing his
demo that morning, even if I never saw or heard the dance again as
knew it would be so much fun and it was. As always, Michael did a
fantastic job of teaching and gave full credit to Michele for putting
it together and trying to make it as close to the movie "Grease"
as feasible for line dancers. He then invited all in the class to
join him and a few dancers while they performed it that night for
the show. I couldn't stop laughing while doing this dance but did
have to put extra practice into the arm movements so I would be in
sync with everyone else that night. Alison Biggs's "COME INTO
MY WORLD" was a b! eautiful dance to a beautiful song and she
gave us plenty of time to p ractice it and even with the extra steps
and the two restarts, I was able to do it that night in open dancing.
"WALK BACK TO ME" was another dance I was glad to see Peter
Metelnick teach that I already knew but would now get some practice
doing it. Sunday I had time to do Carolyn Robinson's HEY, DIDDLE DIDDLE
to an Arrowsmith tune which I liked also. Since most in my area already
knew BOMSHEL STOMP by Karen Hedges, I went to her class. I had missed
learning it when I had knee surgery last year and it was as fun as
it looks on the floor. So my favorites for the whole week end were
the two novelty dances, GO GREASED LIGHTNING and HAPPY HOUR. Max reviewed
SALSARIA which we do a lot in my area already, so just danced it and
Michael Barr reviewed BLACK DRESSES on which I did need a refresher.
The hotel staff was outstanding, James and Jean always do a fantastic
job along with all their volunteers. The DJ's did a good job of playing
the music for the dances taught and the instruct! ors were up front
leading the dance every time played. The DJ's even managed to fit
in other popular requests. I didn't hear music played for every dance
taught but would still be there if they had. In other words, way too
many dances taught (over 175), how about narrowing them down and maybe
each taught more than once???
Tricia
***************
FROM: Barbara, NJ - What A First Class
Event!!!!!!
This was my third marathon (not in a row) I like to mix it up and
attend different LD weekends each year. This was one of the BEST!
I would just like to acknowledge James & Jean and ALL the fabulous
instructors, mc, dj’s and volunteers and hotel staff and shuttle
bus drivers and pool staff (the pool was also terrific). A big "thank
you". And those heavenly beds !!!! The weather & dance floor
were hot but
the dance room temperatures were nice and cool!! Hard to believe with
so many dancers.
OK – now to my favorite dances:
COME INTO MY WORLD – taught by Alison – the most beautiful
music and smooth flowing dance – it took a while to nail the
restarts and a few extra walks but you can really hear it in the music.
This was my
favorite before this past weekend and STILL is right now!
WALKING BACKWARDS – taught by Liz Clarke – I am still
singing this song – it was such a fun class and easy dance so
you have time to add some styling. Liz should be a stand-up comedian.
WALK BACK TO ME – taught by Peter – I never get tired
of this dance and lyrics and it was also done to a pop song (which
I have to get the name of) It was definite floor filler in open dancing.
WORDS UNSPOKEN – taught by Peter – High intermediate dance
took some time but worth the effort. Hopefully I will get another
lesson this week in NY or NJ where Peter & Alison are doing some
more workshops. Lucky us!
SHAKE – taught by Guyton – I didn’t really get this
dance or all the arm movements but had so much fun trying to learn
it that it didn’t matter. Guyton has a great personality and
it shows in all his classes.
RED DRESS – taught by Peter – Lively music with a few
tags but the dance really moves with a lot of spirit. Everyone seemed
to love it in the class.
PUMPIN’ FOR LOVE – taught by Neville – I took a
few lessons from him for the first time and it took a little while
to understand him and his teaching style (this was one of the things
I enjoyed about the Marathon) many different teaching styles –
this dance was GREAT and requested (I think) in the top five in open
dancing.
I AM AFRAID – taught by Neville – Great Kelly Clarkson
music – I was happy to learn this as my West Coast friends have
been dancing it for a while. This dance was heavily requested in open
dancing.
KEEP ON DANCING – taught by Christopher – this was his
first time teaching at the Marathon and I think he will be back –
he is a very thorough instructor and we are lucky enough to dance
with him in the NY area.
JUST A MATTER OF TIME – taught by Michael Barr – I have
never seen an instructor smile as much while teaching. His enthusiasm
is contagious and this dance was a keeper. I hadn’t seen Michael
since the Golden Gate Classic on the West Coast a few years back and
he was fun to dance with again.
SOUL TO SOUL – taught by Michael Barr – I learned this
dance from Barry Amato previously but I really love to retake dances
from the original choreographer and it was a great experience and
he had some interesting dance techniques. And listening to Barry &
DariAnne singing is always a pleasure.
CARELESS WHISPER – was taught very well with lots of patience
by Carolyn Robinson. Not the easiest dance to learn but beautiful
music.
SYNCOPATED KISS – was taught by Gerard and I can’t wait
to dance again with him at the Tim Gillis weekend in Reading, PA next
month.
BREAK FREE CHA – taught by Scott – 64 counts and a little
too confusing for me but I did try it cause it was such a great dance
to watch and was a floor filler. This was my fifth lesson in a row
and I think I was brain dead and had to head to the pool.
ABRACADABRA – taught by Liz Clarke – a fun class again
– her sense of humor just stands out in each lesson she teaches.
She has a lot of energy and really enjoys teaching and it shows. Terrific
intermediate dance.
FANTABULOUS – taught by Bracken – nice intermediate dance
and catchy music.
HEY PEOPLE - taught by Guyton - I think this was the MOST requested
dance of the event. (but you would have to check with the dj's)
I could go on and on but I have to get back to work. My ONLY negative
comment is that so many great dances were taught from 6 – 7PM
and the class attendance was very light as everyone was trying to
eat dinner at some point. But it is a Marathon!! I thought DJ Jam
was the best dj – very courteous, friendly and polite while
you were up at the desk trying to make your requests. All the shows
and competitions and parade and the Blundy Sisters added to all the
fun this past weekend. It was also fun seeing so many instructors
there who were in attendance and not teaching. Especially Bryan McWherter,
Eve (from Chicago), Johanna Barnes and Judy MacDonald. This is a mark
of a great event to me! It went by sooooooooooo fast and furious!
**************************
FROM: Terri Alexander
jalexan5@tampabay.rr.com
This was my first time attending the JG2 Marathon, actually my first
weekend event ever! It was amazing. My husband, John and I decided
to make the whole week a vacation. Important tip- Don't ever decide
to go mountain hiking right before the marathon! Sore legs before
we even started dancing! LOL We arrrived at the hotel Wed night and
found James, Jean, and crew working hard to get things set up. We
volunteered to help and tied so many balloons that night that our
fingers hurt......along with our ribs from so much laughter. Back
up at 9am Thursday. John joined the floor crew and they laid 6 floors
in 6 hours! What a great job. I joined Pepper and a group of volunteers
putting easels together, hanging signs, moving balloon columns to
the different rooms, etc.
James and Jean have every little detail planned and things move like
clockwork. I then joined Steve and helped at the registration table.
Everyone buzzed right through and you could see the excitement building.
It was fun seeing this side of a dance event, and realizing how much
work goes into preparing.
2pm Thursday and the dancing begins. I must apologize to anyone I
meet Thursday night at the line dance party- I was so amazed at the
number of dancers in one area, I had never seen so many people line
dancing! - I know I must of been walking around, agape, and missed
talking with so many people.....I promise next time, not to be in
a daze!! LOL I know I did more watching than dancing that night. Back
up at 8:30 am Friday to watch the previews of the dances being taught.
What decisions to make! I wanted to take them all. At least the previews
gave me a chance to mark down dances I wanted to be sure and look
at again that I thought my classes would enjoy.....workshops all day,
open dancing until the wee hours of the morning, and back up Sat.
to start all over! Saturday night show was fantastic and the costume
parade was great- lots of creative ideas. Sunday choreography contest
in the am, my 2 dances took 1st and 4th, and then in to watch the
pro-choreography. I would have hated to be a judge for that- so many
wonderful dances!
I can't possibly tell you about all the great dances- this would end
up being a book! My personal 2 favorites were Guyton's "Hey People"
- I predict this will be REALLY big- and Lizzie's "Flying Scots",
such a fun dance.. If you've never taken a class from Liz, you must
fit that in the first chance you get.....absolutely the most fun I
have EVER had in a class. We laughed as hard as we danced. I liked
her Abracadabra too. I also liked Pepper's dance "Something Right",
although I can't remember any of it right now LOL, it was my first
class Friday morning. She is such a down to earth, friendly person-
I just adored her! I liked her "Juicy" too, but couldn't
get my brain to work at the end of the day. LOL John Robinson's "Kowboy
Krazy" will be great for the club and filled the floor. I also
think his easy "Batter Up" will be a great one for class.
I went to Zac's class and really enjoyed all 3 of his dances, I couldn't
stay on the floor the entire time....so sorry Zac....! I had an upset
stomach, but I was "chair dancing" these and will do them
again. I think my class will really like his cha "Not Ashamed",
"Hips" has some cute foot work, and "I like That"
has some really different steps that hit with the music, all 3 very
do-able for classes. I liked Kathy Brown's dance "Lovin' Aint
Easy" and was thrilled that she chose "Getta Little Bump"
for her Thurs. teach. Can't wait to dance with her again at the Buck
Wild Bash in Sept. Karen Hedges is a doll and what a trooper, dancing
in her sling. Our club has been doing Bomshel Stomp for awhile now
and will have to add "Finger Lickin" soon! I hate that I
missed the class for "Greased Lightning". It looked like
so much fun- I'll just have to add that to my "have-to"
learn list and make a point to take one of Micheal's classes at the
Tampa event! I also have to learn "Fantabulous", "Pre-Party",
"Verse"....so many more! I know I forgot to mention a ton
of dances and people - Garth and Johnny 2-step, w! onderful guys,
I met Lou Ann Schemmel and Terry Leap, who I had talked to often in
emails- Lou Ann I met on Thursday my daze day (sorry Lou Ann, I promise
my brain will be working next time we met!) I got to dance Crash with
Terry, Christine Bass - we'll have to get together and dance, such
a friendly lady and I saw a couple of her dances in the competition
that I just have to learn and she's moving close to me!!! I saw many
familiar Florida faces- great to see and dance with all of you again,
also enjoyed having a chance to talk with Max and Kathy again, hadn't
seen them since our Connections workshop. If you're not already doing
Kathy's "Helluva Polka", you have to add that to your dance
list, a fun, easy, everyone enjoys kinda dance. Carol, thanks so much
for pushing me to go- I had the BEST time ever!
Hats off the James and Jean- absolutely a first class event, and you
two are the greatest!
********************
FROM:
DEAD DOG, PA! Well it was a first time run to jg2 for some dancers
from the DEAD DOG and the BWI - IBEW and what a GREAT TIME!!!!! We
met several of our fellow BWI - IBEW dancers there who have been going
for years. Their positive assessments of jg2 were correct!!!! First
of all a big thank you to jg and his staff for an outstanding event!!!
When you attend an event like this you really don't know who to thank
first or which dance you want to praise...there are so many........
GO GREASED LIGHTNING is a real winner with SPIDERMAN a close follow
up! As dancers we all feel a little "Broadway" while on
the dance floor...these 2 dances take you there. If you want to have
fun (they are not hard dances)....try both and your friends will join
you! We need to thank Michael Barr for his instruction of GO GREASED
LIGHTNING. Michele should know that Michael constantly gave her the
credits and accolades for this great dance! Many have commented on
Michael Barr, his upbeat attitude, style and gracious friendly spirit.
He taught like the experienced pro that he is yet made us all feel
right in step with him. He also sat, talked and listened…he
really helped to make the weekend!
Barry Durand said that he just wanted to do something stupid or silly
and put together SPIDERMAN...stupid it's not! It's a great dance,
and jumping around to that big Band sound is FUN!!!! Thanks Barry!
Oh....The best new dance I saw on the floor, that was not on the schedule
for the workshop, was called MY FIRST aka EVERYTHING IS A HUSTLE,
by Lynne Martino. It's done to You're My First, My Last, My Everything
by Barry White. Couples can do Six Pack Summer on the outside. This
is Lynne's first dance and she was the 1st place winner at the Tim
Gillis Spring Dance Weekend this year!!!!
HAPPY HOUR will be another fun dance on the floor....we can stagger
around a bit and still dance sober! ..and so many more. Gerard Murphy
was surprised to hear the song YOUR BACKYARD, by Burton Cummings playing
and saw 6 of us doing YOUR BACKYARD, a dance he's been teaching in
Canada, and quickly joined us on the floor! If you liked the 70's
band Guess Who..check out this dance!
Over all it was a great time talking to many of the Choreographers
and meeting new people. It's wonderful to see this many people having
this much fun after counting 5-6-7-8…..so much more!!!!!
...and “ThankYou” Carol for always keeping us updated!!!!!
You also make our dancing real and your survey allows dancers to go
anywhere to dance and know what’s playing on the dance floor!!!
****************************
FROM: JulieJ@tampabay.rr.com
I was a first time attendee, although I’d been to other events
in the past year. This was big and spectacular and very well run,
you could tell that James and Jean really know what they are doing.
I particularly appreciated the ease of getting to the hotel (for free
even!), the affordable and quick eating options. It was also great
to be able to stay up as late as we could last, and I can’t
believe that I was still up dancing at 4:30am, and who knows how much
longer it kept going! The music was truly a mix of old/new/fast/slow
even late and all of my requests were played. I couldn’t get
up early enough for previews though, I prefer those at night myself.
But enough people got up early for them so I was able to ask around.
I don’t know how the choreographers do it, so many of them stayed
around late and danced with us. I also really appreciated having that
Open Dance room open all day, we could pop in and review what we’d
learned, the instructors even poked their heads i! n and came in for
reviews for us. The costume parade and the show were entertaining
and timed perfectly, not too long or too short, and I was so excited
when our friend Diane won Guyton’s fox puppet – although
she said it scared her when she woke up and saw it sitting in the
chair in her hotel room!! One thing I was not aware of is that we
couldn’t enter a class after 15 min. It disturbs the instructors
I suppose, and they have to count heads to know how much to pay them,
so it makes sense. But I did at other events enjoy leaving one class
and picking up the 2nd half of another, especially when there are
2 dances taught that hour. Or at least being able to be a spectator
at the end. I understand why they had it set up that way, just wish
there was a workaround or alternate way to do it. Now that I know,
I’ll make my choices differently next year so that I get there
in time.
Some of my favorite dances of the weekend hadn’t been mentioned
here yet, my favorite 3 from the weekend were:
Joey Warren’s RESTRICTED to I Like That (Stop), busy and funky
and great music and seeing Joey dance is so entertaining.
Scott’s I SCREAM to a Pink song, typical Scott style fitting
the music perfectly, especially the last 8 ‘I Scream You Scream
we all Scream for Ice Cream’. It was simple for Scott I think,
he took it easy on us, and I think after a couple more teaches, people
are going to go nuts over this one.
Guyton’s PROMISCUOUS was my favorite of Guyton’s new ones,
great music, no arms, also very fast.
I also liked PUMP IT, PUMPIN FOR LOVE, BREAK FREE CHA, HEY PEOPLE
that have been mentioned. Although taking a Scott/Guyton/Scott classes
back to back was insane, we were all brain dead by the end of that!
Will be retaking those in July in Orlando!
Joey Warren’s waltz THE FINAL GOODBYE was really nice and unfortunately
missed by many, it was lovely and brisk to a Rihanna song. Maurice’s
PRE-PARTY is a clever follow up to his hit After Party, and even though
it was straightforward, I’ll need 1 more teach on that too.
Also worth mentioning were the 2 technique classes by Brian B that
I took, he is a brilliant dancer and we are lucky to have the opportunity
to get his technique tips basically for free. He made it fun, and
they say you always get something from these technique classes, even
if you are experienced. For me, it was the secret to full Monterey
turns, I get it now!
And I could just kick myself for missing classes with Oli Geir, the
feedback I heard about him was wonderful, I’m so glad to hear
Marilyn will be teaching one of his in Orlando in July, WALK ON ICE,
because I heard it had some different moves. I saw Oli and his gang
doing O-ZONE in the open dancing room and the music to that is different
too, very Euro nightclub. There was quite a buzz about everything
he taught, and his technique and talent.
And another instructor that I stupidly missed is Michael Barr, and
thank goodness he’ll be in Florida in November, I won’t
miss him again. But what a hoot watching everyone do Go Greased Lightning,
they looked like they were really having a ball. Michael just oozes
positivity, and at least I did get to see him during the open dancing,
very talented.
A phenomenal talent-filled gigantic event, well done, well attended.
It amazes me to read the other reviews and hear about the wonderful
things I missed. I feel like I did so much, and still there’s
more….
****************
FROM: Steve Lescarbeau
WOW! Another great year. It just seems to get better and better. This
year was my first year instructing at the Marathon and I had a blast.
The students made me feel very welcome and very proud. I had beginners
in my class that hadn't been dancing very long. But before our 50
minutes were up, I had them doing Apple Jacks, Moon Walks, Vaudevilles,
and more! From a volunteer point, the crowd was one of the best I've
seen in all the years I have worked for the Marathon. They all seemed
to have a great attitude and huge passion for our beloved sport, "DANCING"
It's because of all of the wonderful dancers from Switzerland, England,
Ireland, Canada, Scotland, Iceland, Taiwan, and the United States,
(I'm sure that there are more countries I have missed.) that really
makes this event a huge success.
There were many many new faces that I saw this year, which is a wonderful
thing! We need to keep attracting new people to keep our sport alive.
There are so many dance events to choose from, so having new blood
coming in helps out with them all. It is always great seeing old friends
like as Liz Clarke from Scotland, Johnny 2-Step, Nigel Amon, Neville
Fitzgerald from England, Gerard Murphy from Canada, and of course
all of the great instructors from the US.
Thank you for attending my classes, for your support during the Pro
Challenge (I really had fun doing this) and for your support of the
Marathon. A special thank you to James and Jean for the opportunity
to teach at your very famous event.
Steve Lescarbeau, PSS, MCC, DS
A+ Vacations
420 Curran Hwy, Ste 2
North Adams, MA 01247
(413) 662-2323
www.aplusvacations.com
steve@aplusvacations.com
NOTE FROM ME: Steve is always helping at the Marathon as a volunteer
and it was good to see him on the schedule this year. I saw lots of
UK people dancing his cousin's popular dance ENERGY this weekend,
too, so I guess all that talent runs in the family.
************************************
FROM: Trish – Keep on Dancin’
in California
Another question that came up recently was not only what was taught
JG2, but also what was played during open dancing. Just taking Carol’s
survey, I’m going to go down the list of all the dances that
were done during open dancing over the weekend. Her survey does pretty
accurately reflect a nationwide list of dances that everyone knows
and likes. Here is a quick list: Bosa Nova, Heartbreaker (this one
was done a lot!), Simplement (done a lot too), Keep on Dancing, (I
don’t think that they played Kill the Spiders, but it could
have been played while we were at the Waffle House), Geek in the Pink
(a lot – this dance was very popular there), Come Tomorrow,
Walk Back to Me (done quite a bit), It’s Up to You (done quite
a bit), After Party, Be Strong (done a lot), Crabbuckit (this was
done to such a fun new piece of music – it was great), The Way,
Holding a Dream, Soul to Soul, Syncopated Love (done quite a bit),
Careless Whisper (done a lot), Soluna, Keep It Burning, Red Dr! ess,
The Reel Thing, Fantabulous, All the Way, Poetry in Motion (to new
music, I prefer the original music), Amazing, Drop the Heat (done
quite a bit), I’m Moving On, Meltdown, Pumpin’ for Love,
Caught in the Act, No Regrets, Shake Yourself Loose (done a lot –
a floor filler there), SOS (floor split with Bryan’s dance Sending
Signals), X, Bombshel Stomp (done quite a bit – this is a cute
dance – a floor filler there), Home, Drivin’ Me Crazy
(this one was done every night – I was happy as I really like
this dance), Just for Tonight, Over the Rainbow, Black Horse, Toy
Soldier, Trippin’, Baby Com’ On (this was done, but a
huge floor split was Chill Factor), I Am Afraid, Solo Humano, Sinfull,
Cha Cha Tonight, etc. (The workshop dances were also done each night).
With so many nights of dancing – and the dancing hours were
8:00 pm to about 4:00 or 5:00 in the am you could dance all your favorite
dances – and then still miss some ;-) So you can see that I
probably missed a lot of ! dances. But the important thing –
there were dances for everyone. ;
This is not an event that you plan to get much sleep at – in
fact, Stacy was caught sound asleep across 4 chairs in one of the
workshops on Saturday afternoon - we all empathized completely with
her ;-)
Trish Boesel
**********************
FROM: Carolyn Robinson
I haven’t been to the Marathon since 1999 and to be invited
to instruct this year was a huge honor for me! It was Rick’s
FIRST visit to the Marathon and we both volunteered so we could see
“behind the scenes” of the event. As most dancers have
mentioned the marathon is one of the most organized and festive event
around. The instructors are always top-notch and it’s always
a pleasure to meet the people behind the names on the dance step sheets,
as well as getting with old favorites too! I thoroughly enjoyed meeting
Michael Barr, Gerard Murphy, Kathy Brown, Karen Hedges, Liz Clarke,
Johnny 2-step Houston, Christopher Petre and Michael Thompson for
the first time! Spending time chatting with Bracken, JP, John, Junior,
Louie and dancers I haven’t seen in ages was also a great thrill
for Rick and me. And it was fun working with Steve Lescarbeau, Adele,
Eileen, Fran and the other volunteers at the Registration Booth and
also “in the closet!” Rick met several instructors while!
deejaying during their classes and he also learned some really cute
dances too. Watching Kathy Hunyadi knit gave me the idea for an afghan
to raffle off at the Epilepsy Foundation Workshop in September (thanks
to Junior who suggested the idea of raffling a quilt and then I just
happened to see Kathy knitting. It’s amazing how things work
out, isn’t it?) And I finally met Christine Bass who is as cute
as a button! A big thank you to Junior and John for helping me demo
“Hey Diddie Diddie” and then dancing it with me during
the competition. Thank you also to those dancers who came to my classes….you
guys did a great job and I really appreciated your support!!!
It was a GREAT weekend for Rick and me and we sincerely thank Jean
and James for inviting us to be a part of it!
Carolyn Robinson
Instructor/Choreographer
843-607-5048
flrkilr@bellsouth.net
www.love2dance.ws
LOWCOUNTRY LINE DANCE FEST
JANUARY 26-28, 2007
****************************
FROM: Kathy Brown
Raliegh, NC
What a fabulous weekend event. Sandy Collins-Burbage and I started
out Wednesday morning. The trip was pretty much uneventful which is
good when you are driving. We did get stuck in a traffic jam somewhere
outside Savannah GA for an hour and and half. Got to Raliegh around
6:30pm and dancers were already gathering.
Thursday Sandy and I took off for a liquor run, just around the corner
from the hotel they said, yea right, and hour and a half later, and
after driving in circles lost, we were ready to party when we finally
found the hotel again. Thursday afternoon I taught Terri Alexander's
dance Getta Little Bump. I chose this dance because it fits the music
so fabulously. Music is Getta little bump by Raven. Thursday evening
we had open dancing with DJ Jim and Louie. Think I saw the room around
2am.
Friday, the alarm seemed to go off too early, but made it to the main
ballroom for the demos. Friday afternoon I taught The Breeze (beg),
had a new song for it by the Cigar Store Indians called Who Dat. (Good
little swing number), the next dance was Lovin ain't easy, a nightclub
2 (int) to One heart one love by Phil Perry. That evening was back
in the main ballroom for more open dancing. Saw the room around 2:30,
and this is early for some because there was a room full of dancers
when I left.
Saturday again that darn alarm clock was just going off. Down to the
main ballroom for the morning demos. Saturday afternoon I taught Drive
me mad (int), Chayanne's Vaiven and also used Paulina Rubio Se Tu
Te Vas (class favorite). Also taught Alibi's and Lies (beg), Aaron
Watson, I don't want you to go (but I need you to leave). The 2nd
session on Saturday was Break my Stride (low int), Club Lagoon, easy
32ct. and debuted One drop of love by Ray Charles, One heart One Love
(int). Saturday night the ballroom was packed, everyone seemed to
be having a ball. This year I decided to do something special and
handed out 400 glow braclets to everyone in the the ballroom, everyone
was glowing. Some of the Florida ladies had on glow ropes around their
bodies, it was very festive. Around 11pm some of left to get ready
for the costume parade. Dancers are very creative, we had saloon girls,
tee pee's, cowboys and indians, and F troop. Carol should have some
good pictures on her web site.
Sunday's class was great, I thought most would have been packing to
leave, but the die hard dancers came out ready to dance some more.
I taught Silent Memories, Kenny Chesney, Only time will tell (low
int), and Par Ti Cha (int), to Vince Gill, She never makes me cry,
both intermediate cha's. Sunday evening Jean and James throw a pizza
party for everyone that is left, and we danced, and talked through
the night.
Monday morning Sandy and I headed home, somehow missed I-95 and was
misplaced for a short time, but being reslient women we are, stopped
bought a map and saw parts of NC/SC we might not have seen if we had
stayed on the interstate.
What makes a perfect dance weekend, workshops that start on time,
good DJ's, great hotel, and staff. Happy volunteers and two people
that want you to have a good time and make it happen. This is what
the jg2 Line Dance Marathon is.
Thank you Jean and James for the invite, I had a blast. Thank you
to all the volunteers for all of your hard work. And thank you to
all the dancers that came out to make this a very special weekend.
Kathy Brown
PS: Bob the Bee was never found, guess he flew away to enjoy the beautiful
NC weather.
*******************
FROM: Lynne Martino, NYC
Many thanks to the dynamic duo for an absolutely fabulous weekend
in Raleigh, NC. This is my favorite out-of-state dance weekend. The
dancing is endless with instruction all day long. You can pick and
choose from a jam packed selection of dances on the schedule that
runs from 10:30am through 7pm. Having the demos each morning makes
it alot easier to decide where you want to go. And if you don't want
to take instruction, there is always the open dance room. Some of
us would use that room just to go over dances we had just learned.
The DJ would play whatever we requested.
From 8pm and on the partying begins. DJ Jam(Jim Henning) and Louie
St. George kept us rocking. Many thanks to Louie for playing my dance,
My First.
Some of my favorites were: Go Greased Lightning taught by Michael
Barr;Verse 2, Neville Fitzgerald;What a Trip, Kathy Hunyadi;Sloopy
Do and Young & Sexy, Steve Lescarbeau;Pre Party, Maurice Rowe;Words
Unspoken, Peter Metelnick, Drop The Heat and Shake, Guyton Mundy.
I also took classes on Thursday that were not written by the instructors.
They were Syncopated Kiss(Forty Arroyo), It's Up to You, With These
Eyes, & Sinfull. Dances that I wanted to take but did not: Juicy,
Manilow Dreams by Pepper Siquieros; Rock This Thang by Joey Warren;
Helluva Polka by Kathy Hunyadi; Hey! People by Guyton Mundy;Flying
Scot by Liz Clarke;
One of the best things about this weekend is the people. The staff,
volunteers, instructors, merchants, hotel staff and of course my fellow
dancers. It was great catching up with people that I haven't seen
for a while. David from Baltimore(thanks for the invite and for your
interest in my dance)the girls from Long Branch(fun, fun, fun)the
nice folks from California(wow you remember me!)The Jersey girls(thanks
for translating what the DJ's were saying, lol)my friends from Massachusetts,
Conn., Upstate NY. Congrats to Lynne Flanders. You go girl.Thanks
to Steve Lescarbeau, my new friend, for always supporting my efforts.
Of course, the show was great. The talented staff strutted their stuff.
And some of us actually got to be in it with Michael Barr and his
dance Go Greased Lightning. That was fun!!!
The Wild, wild West parade was hysterical. Teepees, Indians, F Troop,
Goldminers, Sheriffs, Barmaids, Medicine Man. Very cute! Can't wait
for next year. The theme is Medieval Times( knights, princesses, jesters,
etc.) Our creative juices are already flowing.
I know that there is alot more I could say about this weekend. And
you can probably read about it from others. All I can say is that
we dancers are the luckiest people in the world. We get to share our
love of dance with people who love it too. Can't get better than that.
********************
FROM: Terry Leap
I've enjoyed reading all the event reports and have to agree with
all the positive things that were said! The Marathon was a great event,
as usual. And, it was so nice to see so many old friends, and finally
meet some new ones, such as Terri Alexander, I enjoyed dancing Crash
with her!
I also enjoyed every class I took and look forward to teaching quite
of few of the dances. My personal favorites (new to me) were Mandy,
Pumpin' For Love, If I Ain't Got You, Come Into My World, Something
Right, Words Unspoken, I Am Afraid, Fool No More and Hips. I also
liked Hey People, but did not learn it, yet! There were quite a few
other dances that I saw that will be on my "to learn" list.
****************
FROM: Bracken@MoveInLine.com
As always, I had a great time at the Marathon! Thanks to James &
Jean for inviting me & JP Potter to teach for our second year,
and for having JP DJ, too! If you missed the DJ CHALLENGE on Saturday
night in
the Empire room, you missed a great night of dancing!
I just wanted to THANK EVERYONE for their help, advice, and well wishes
after my injury on Friday. SPECIAL THANKS to ZAC DETWEILLER and JOHN
ROBINSON for so quickly learning my two new dances - ECLIPSE, the
nightclub 2-step co-choreographed with Jamie Marshall, and PERDONATO,
my newest waltz. Zac & John not only demo'd the dances Saturday
morning in my place (for those who missed Zac's performance, buy the
video!), but they also helped in my classes Saturday by being my "body
men" in the workshops while I was on the mic. I'm sure everyone
knows how dedicated and generous John Robinson is when it comes to
dancing and how wonderful an instructor John is. For those who haven't
had the pleasure of taking a class with ZAC DETWEILLER, he is one
you don't want to miss. I was not only impressed with Zac's dancing,
but also his genuine enthusiasm for line dancing. And he is such a
gentleman - polite and helpful to all the dancers! Check out his dances
- I wasn't able to dance them, but I love HIPS and NOT ASHAMED (to
the Dirty Dancing song).
I heard great feedback on all the dances I taught - FANTABULOUS, ASPIRE
(that beginner disco one...), PERFECT MATCH, PERDONATO (Forgiven),
and ECLIPSE. And I heard great feedback on JP's dances - WE'LL BE
TOGETHER (cha to a Sting track), YOU & ME (fast waltz to Lifehouse),
and WHAT'S LEFT OF ME (beautiful nightclub to Nick Lachey's latest
release - I was sooooooo bummed I didn't get to dance it with him
this weekend!). I also had a wonderful time team-teaching with GERARD
MURPHY - we taught our latest dance GO CRAZY - thanks to all the ladies
who learned this one
on Friday night to demo it with Gerard on Saturday, too - you are
awesome!
Just a couple notes on my dance sheets:
FANTABULOUS - When using the ITUNES, SESSIONS @ AOL track, slow down
at the end, pause, and pick it up where you left off (the weave with
a sweep) to finish out the rest of the track - this track has an actual
ending to it (it doesn't fade). When using any other Michael Buble
Moondance track, on your last wall (starts facing 9:00), just continue
the step touches with clicks/snaps to walk off the floor (this is
how John Robinson has been teaching it) so then it's clear to the
DJ to fade it. Now, how do you tell the difference between the tracks
you ask? Well, I've heard the song so much that I know the two tracks
are sung in different keys and I know the SESSIONS @ AOL has a jazzy
feel to it. The best hint I can give others is that JP Potter &
Louie St. George have the SESSIONS @ AOL track now and I've asked
them to use that one.
ASPIRE & PERFECT MATCH - step sheets are fine!
PERDONATO (Forgiven) - This is my newest waltz. If you liked UNDER
YOUR SPELL, I REALLY encourage you to check out PERDONATO. John Robinson
found a mistake on the sheet though, it tells you to turn left when
you should actually turn right. So a revised sheet is posted on my
website -
WWW.MOVEINLINE.COM
ECLIPSE - This is the nightclub two-step co-choreographed with Jamie
Marshall. I've also had to make a slight revision to this sheet. Zac
Detweiller learned it from the sheet and amazingly did it correctly.
I looked at the sheet and found a little mistake in the first 8 count,
so the revised sheet is also posted on my website - WWW.MOVEINLINE.COM
Dancing it the way the stepsheet is in the jg2 marathon books will
not cause grand commotion on the floor, but the revised sheet is how
it was taught.
And finally, for GO CRAZY - Gerard and I co-choreographed this one
via email and just fine-tuned it a bit when we were able to dance
it together at the Marathon on Thursday night. So, some little touches
and
hitches have been added to make it flow better for the dancers. The
revised sheet is posted on my website - WWW.MOVEINLINE.COM Again,
dancing GO CRAZY by the stepsheet that was in the jg2 marathon books
will not cause grand commotion on the floor, but the revised sheet
is how it was taught.
And just a couple more things - the Pro Challenge Choreography Competition
was the most entertaining one I've ever seen!! Congratulations to
the winners - Go Greased Lightning! (Michael & Michele), Hey!
People (Guyton Mundy), and Bombshel Stomp (Karen Hedges & Jamie
Marshall).
My favorite dances from the weekend, aside from my own and JP Potter's
- I would be biased to those anyhow:
GET YOUR GROOVE ON
RACEY LACEY
FLYING SCOT
WALKING BACKWARDS - easy beginner dance
TOGETHER FOREVER
HIPS - I was waiting for a cool dance to this song (Shakira's) and
Zac has done it!
CHA CHA HEELS
HELLUVA POLKA
HEY! PEOPLE - I actually learned this from the sheet and was looking
forward to dancing it!
ONLY YOU - a beginner nightclub 2-step!
BREAK FREE CHA!
TOUCH ME TONIGHT
NOT ASHAMED - to the Dirty Dancing song
COME INTO MY WORLD
MOVE IT! MOVE IT! - love the song!
BOP THE B - easy beginner dance
Make sure not to miss next year's Marathon!
Bracken Ellis
Instructor, Choreographer, Team Director
www.MoveInLine.com
San Diego, California
*****************************
FROM: BUCKY CRAVEN
I saw a favorable comment about Michael Barr's teaching skills. I
would like to point out and suggest to other instructors that Michael,
John Robinson, and a few others often teach 16 counts to one wall
and then have you face a different wall and repeat those counts and
then they add another 16 counts and do the same thing so when you
are ready to face the last wall, it does not feel like a new dance.
Also, one of my highlights at the marathon is passing James in the
hallway and telling him that the electricity has just gone off in
the main room LOL. I wouldn't suggest trying this at home.
Bucky Craven
***************
FROM: Patty Howells
This was my 2nd year at the Marathon and I had an even better time
than last year, which I didn't think possible!! I've been reading
all the reports in Carol's newsletter and all the "Big Name"
choreographers seem to get all the attention. I just wanted to say
that without, Karen Hedges, Kathy Brown, Michael Thompson and some
of the others, alot of people in my category would not have as much
fun. I did take Michael Barr's, Greased Lightning class and had a
great time!! I love watching John Robinson (my personal favorite dancer),
Guyton, and Junior dance, but there's no way I can do their moves!!
ha! But just wanted to give the other choreographers alot of credit
too!
Thanks!
Patty Howells
Franklin, N.C.
******************
FROM: Catherine Péguet
My friend Wendy di Silvestro kindly forwards your reports to me from
time to time. I am not one for writing post mortems after events but,
as you specifically asked for opinions from "first timers"
at the event, I have given you some of my impressions below. This
is also the very first time I have attended a dance event in the United
States.
First, I must say what impressed me the most was the excellent organization
of the event. Everything was ready for registration at midday on the
Thursday, we got the Dance Books in the early afternoon and everything
went liked clockwork. Most importantly, the staff and everyone I met
were so friendly and helpful. It made it easy for a newcomer like
myself to find her way around this huge event.
Also the hotel and all the services offered were excellent and the
staff courteous and helpful.
The variety of music played during the week-end was extensive and
I must have enjoyed dancing between 80-90% of the dances, which is
pretty good.
SOME SUGGESTIONS
I realise that this is a "marathon" but II feel that there
are too many workshops each day to do comfortably. If one wanted to
take a workshop each hour one would be busy from 10.00 a.m. until
7 p.m. non-stop with just one hour to eat and prepare oneself in the
evening. This is definitely not enough time to relax and eat if one
then goes on to dance from 8 p.m. until the early hours.
As I rarely went to bed before 4 a.m. I never managed to get up for
one of the dance demos at 8.30! This is really far too early for most
dancers who cannot "burn the candle at both ends". So I
tried to select the dances I would do by choreographer instead as
I never saw any of the previews. I was wondering if the afternoon's
programme of workshops could not be shortened to make time for the
dance demos at the end of each afternoon instead of the following
morning. This way people could better plan their next day's programme
and sleep later if they were not interested in dances at the first
workshops of the day. It would also give the choreographers, who work
so hard during the day and then participate in the evening's social
dancing, to rest a bit more too.
I also regretted the fact that no recaps of dances were done during
the week-end. This is done in the U.K. and proves very useful. With
so many new dances to learn each day it would be helpful to make time
for a quick recap at some point in the day (even for the choreographer
to do a couple of walls during the evening just before a new dance
is played would be better than nothing at all). This would help many
more people to be able to dance newly taught dances during the week-end
and help them remember them when they get home.
I hope these views will be of help to you, and thank you again for
a wonderful linedance experience at JG2.
Catherine Péguet
Geneva
Switzerland
*******************
FROM: KAREN HEDGES
I wanted to say a very big THANK YOU to James and Jean for inviting
me back to the marathon again this year. Out of all the years I have
been at the marathon I have to say this was the most fun of all, despite
the sling J.
I got to put a lot of faces to names Christine Bass and Carolyn Robinson
what a delight to finally meet you.
Thank you so very much to the wonderful guests who attended my classes,
you were awesome. Everyone was smiling everywhere I looked, I didn’t
hear one negative comment about anything, believe me when I say it
is so nice for we instructors to see all the smiles during our classes.
I wish I could remember the ladies name who got the attention in my
classes by whistling (something I could never develop) she was too
much fun. If anyone knows her name please send to me J.
I can’t tell you how much it meant to me to get third place
for bomshel stomp in the pro challenge, and how surprised I was when,
John, Junior, Jill, Christine and cj walked out to the floor in slings
(what a hoot)(I heard this was Jill’s idea) it made me laugh
throughout the entire dance. Thank you guys you’re the best.
Again thank you to all of you that attended my classes, you are wonderful.
Hugs
karen
Karen Hedges
Event Director Dancin Up A Storm to Benefit Shriners Hospitals For
Children
Event Director NTA Dance Camp
NTA Zone W Director
816-728-3750
Fax-816-524-7990
www.dancinupastorm.com
**************
FROM: FENG CHEN
I've been enjoying reading all the great reports and comments about
JG2 Line Dance Marathon and like to add a couple comments about the
comments. "Too many workshops each day"
159 workshop dances (not including the ones taught on Thursday afternoon)
does sound a bit overwhelming. But what makes the Line Dance Marathon
a Marathon event is it's almost non-stopping teaching and non-stopping
dancing. And I'm glad I did take Bracken Ellis's Eclipse at 6:00-7:00pm
(a bit inconvenient hour) on Saturday. What a lovely, gorgeous Night-Club-2.
And big thanks to Jean and James for adding the Thursday teaching
again this year. I don't know how much extra effort they made to have
everything (the floor in each room, the instructors, the volunteer
stuff, the hotel stuff, etc) ready at 2:pm. It went so smooth and
seemed so effortless. "Give credit to the other choreographers
(other than just to the 'Big Name' ones)"
Ditto! I'm happy to see Michael Thompson, the young choreographer/instructor
from Georgia (my home state) teaching again this year at the Marathon.
He taught Come On Over (funky intermediate to a Christina Aguilera
track), One More Time and Let's Shuffle Forever (two easy intermediate
dances to country songs). All three dances are well choreographed
and fun to do.
***************************
FROM: Frank Trace - Canton, Ohio WOW....I'M
HOOKED!
This was my first year attending the JG2 Marathon and only one word
can describe it... WOW! I was overwhelmed by the entire event. Everything
was organized and professional. James and Jean Garr were very welcoming
and Pepper Siquieros was great as the MC. Here are a few things that
this first time attendee observed:
1) Everyone was very friendly. Just say hello to someone and you had
a new friend. Enjoyed talking with fellow line dance teachers from
across the country and to find that we had so much in common.
2) A big thrill for me was to meet so many choreographers of the current
popular line dances. All were friendly and easy to talk with. It was
also great to have the opportunity to learn new dances directly from
the original choreographer.
3) The morning previews was a fantastic idea. Gave you a chance to
see the new dances to be taught that day and to decide which workshop
to attend. This was NOT an easy decision since so many dances looked
great.
4) The dance parties each evening were real eye openers. Being my
first time at a major workshop event, I was amazed at how little country
music was played and how much Hip-Hop has taken over line dancing.
I love all types of music and I love to dance, so this didn't really
bother me. It just surprised me since most of MY students don't really
care for the hip-hop funky line dances. They really like the smoother
dances to Latin, pop and country music.
5) Some of my favorite new dances were MANDY, WALK ON ICE & 7th
HEAVEN all by Oli Geir, ASPIRE & FANTABULOUS by Bracken Ellis,
HAPPY HOUR & LA TORTURA by Junior Willis, AUSTIN J easy beginner
dance by Karen Hedges, ALIBIS AND LIES by Kathy Brown, START A LOVE
TRAIN by Max Perry, JUST A MATTER OF TIME by Michael Barr and HEY
PEOPLE by Guyton Mundy. So many more looked great on the dance floor.
6) Most of the teachers I spoke with said they were looking for new
Beginner Plus and solid Intermediate line dances with no tags and
re-starts.
It was a GREAT weekend. One thing is certain, I will be back next
year!
NOTE FROM ME: This was the first even Frank had attended
and we rode to the airport on the bus together and I asked him to
write. Hopefully, he will encourage some of you others who haven't
attended an event to try it out!! Thanks for writing, Frank, and it
was nice meeting you.
***************************
FROM: GARTH BOCK
What a fantastic vacation I just had. I decided to go to the JG2 Line
Dance Marathon to get away from life here in Illinois. I had a blast
! Got to see a whole lot of old friends from other events and make
a whole bunch of new ones ( It was very nice to finally meet you Carol
) and learn some great dances. I even helped lay some of the dance
floors ( to me…helping out is fun even though I missed all of
the Thursday sessions). It was great there were so many sessions to
choose from because it gave everyone the chance to sample something
from each instructor/choreographer. Some of the dances that I really
liked were Aspire and Eclipse (Bracken Ellis), Makes You Wanna Dance
and Rumba in The Keys (Tim Hand/Alice Daugherty), Move it Move it
(Carol Robinson), and Kowboy Krazy and Don’t Cry for Louie (John
Robinson).
One dance that was done I think almost as much as Bossa Nova (Dennington)
at the workshop was Bomshel Stomp (Karen Hedges\Jamie Marshall). I
have never Bomshel’ed so much in my life…and it was fun
doing it. Karen’s other dances Finger Lickin’ , Austin
J , and Local Girls were very well received with the room packed to
capacity. One session I found very challenging was Donna Caudill’s
Giggle Wiggle and Body Rolls. I enjoy learning technique and I think
everyone should have tried it out. Donna teaches some excellent sessions
and being the token man in the session well lets just say that I helped
the “Giggle” part along. The Saturday evening dance theme
of Wild Wild West was something else. Everyone in wild west costume
assembled in the lobby of the hotel before midnight. Everyone looked
great ! There were indians, cavalry, dance hall ladies, a mountain
man, town folk, a sheriff (me), some cowboys riding bulls, and a whole
lot of other wild west characters. Before we parad! ed into the ballroom
I looked around and realized that the Indians had “TP’ed”
themselves (sorry couldn’t resist it). I want to thank James
and Jean and their staff and volunteers for putting on an excellent
workshop. I can’t wait for next year. I have a whole bunch of
new dances posted on my website with some of my pictures.
Garth Bock
The Country Dancer
www.countrydancer.com
********************
FROM: LIZZIE CLARK
Re the JG2 Marathon, once more I had so much FUN at the recent Marathon,
everyone is so friendly and all of James & Jean's staff work so
hard to make it a great weekend. Also what about all those dancers
who attend this event, if it wasn't for them, then I wouldn't be having
so much fun, teaching and socialising and generelly having a great
time.
I really enjoy taking part in the workshops and we always have a laugh,
and I must say I really enjoyed teaching this year as everyone was
so relaxed and it made my job so easy. I must admit the dance I had
the most fun with was the Flying Scot, our feet were going like little
pistons, but they all got it, well done guys. Finally I am back home
here in Bonnie Scotland, yes the sun does shine, the temperature has
been in the high 70's since my return, so have been busy in the garden,
but will have to get back to teaching this week, which of course I
love, then it's off to do some more weekend festivals. I will keep
in touch and let you know what we do at this side of the pond.
Take care and you are all doing a grand job. Aw'ra'best to you all.
Luv n'
hugs Liz xxx
Thanks again
Luv Liz xxx
********************
FROM: Teresa – UK
Thank you James and Jean and all the people whose time and effort
went into organising this event. It was again, truly, superb. This
was my second year at this event and I was not disappointed, it ran
like clockwork and they don't call it the Marathon for nothing. Although,
once I got home with hardly any sleep (Louies fault! as he kept playing
our requests) at the event and the jetlag I was complety tired out.
It was great catching up with the friends that I made last year and
indeed making more new friends this year Yippee! (note to Carol, Hope
you are making good use of the fan) Special thank you to Bryan MrWherter
for taking Shirley, KT, Debbie and I out on the Wednesday night so
at least we got to see a little bit more than the hotel and another
thank you to Maurice who had us in fits of laughter the whole weekend.
Cheers babe! Can’t wait for next years event.
kt8009@hotmail.com
********************
FROM: just-cant-dance@hotmail.com
Thank you, I had a great time. This was my first ever marathon and
it was very overwhelming. Maybe somebody with more experience at these
events could help me with some of the areas of confusion. I had a
hard time picking workshops to attend because: 1. I do not know the
instructors. Question: Is there a site, book, resource or other place
to see Photos of the popular instructors, maybe some of their recent
popular dances, etc. so I could learn who they are and decide whose
classes to attend. By the time I figured out who was who and saw them
dance, by watching the dances in the evenings, after everyone else
had learned them, it was too late. I did not know enough to make good
decisions, and nothing was there to help me decide. l was able to
attend the Saturday morning preview, but again, not knowing who was
who, it was hard to follow the schedule, no room to really write comments
next to a dance, or an instructor, like: slow, fast, music tempo,
etc. I couldn't always c! atch the announcer saying who the demonstrators
were, etc. Everyone else seemed to know what they were doing, so I
felt pretty stupid.
I paid my registration for three days, but I missed almost all of
Fridays classes, because I did not really realize the full schedule
planned for Friday, and I traveled on that day. I kept checking the
website for the schedule ahead of time, but the Friday schedule was
never posted. Upon checking in, I asked about it and was told that
the schedule isn't posted because the dance names are not decided
until the last minute. The actual dance is minor l compared to the
schedule of instructors and times, which COULD have been made available.
Then I planned all day Sunday for workshops, and it was over at noon.
This was my fault for not knowing how things worked, maybe I didn't
know where to look ahead of time. I did try e-mailing and even telephoning
ahead, the week before, but no one acknowledged me.
Also, I did not know in advance enough to purchase "the book"
whatever that is, but is it possible to obtain, as part of the Registration,
a simple list of Instructors, the dance(s) they taught and the recommended
music for each. Surely this could be made up, even on site, and made
available to attendees. Using the time-oriented workshop schedule
for this is cumbersome to say the least. I really don't need step
sheets or videos of all 163 dances taught there, but would like to
have a list, so i could pick out the ones I think I could reasonably
learn. would this be reasonable?
If I get to attend again, I am sure I will do much better, I evidently
am the only one out of hundreds there that was this overwhelmed. I
do also agree with everyone else about how great the instructors were,
the dances were fun, and everyone was extremely nice. I totally agree
with all positive things said, my confusion was due to my lack of
knowing what to do.
just-cant-dance@hotmail.com
NOTE FROM ME: Well, any of you attending events for
the first time are always welcome to write me and ask how things are
done as far as the schedule because most of them start on Thursday
night with a dance party and then lessons are all day Friday, Sat,
and usually half a day on Sunday with dance parties Thursday, Friday
and Saturday nights. The Marathon started this year having lessons
at 2 on Thursday and they go all the way into Sunday evening but that's
because it's the Marathon!! Also if you want to see how the Marathon
and other events are run, I always put the reviews of the events I
attend on my site under EVENT REVIEWS and usually talk about each
day and what happened and you can also see the pictures and I think
just reading the newsletters and looking at the different surveys
you will start seeing dances that you might be interested in taking
or choosing from the previews done at the events. If I don't have
them on my site, I! will direct you to where they are on other sites.
I know there's a lot to kind of take in when you first start going
to events but that's part of the adventure. Jean is usually very good
about answering her mail so I hope you had the correct address to
inquire. The entire list of dances are on the DVDs or Videos at this
site and if you missed any of the classes you will be able to learn
them from the videos or DVDs and you will also get to see all of the
instructors and see which ones look like fun or you think are good
teachers. Here's the link to that http://www.worldlinedancenewsletter.com/CJsVideos.html
PLEASE, and this applies to anyone, don't hesitate to write me if
you have questions about anything and especially if you don't go to
seminars or events because you are apprehensive about what they are
like. I promise we will all make you feel welcome and I will personally
make sure you have someone to ask if you need anything. If I don't
know the answer, I will contact someone who does have the answer and
make sure you are all prepared to attend events or seminars. No matter
what you have a question about, from what to bring to wear to how
to navigate the schedule to transportation to and from the airport
or any question you have, I want you to ask. I love going to weekend
events and I want it to be a positive experience for all of you and
especially people who are going for the first time because, since
we've been going since 1988, sometimes we forget what a first time
feels like.
********************
FROM: Misty
This is my first time to the jg2 and I had a blast. I am a teacher
and a couple of my students went for the first time as well. The first
thing I want to say is "thank you", to the 3 people we met
at the Ft. Wayne Showdown who told us we just HAD to go to this event:
KRISSIE, BONNIE and ANDREA. You guys were SO right! I had a great
time seeing you guys again and meeting your other PA buddies....Yeah
Yeah, Jill I know you're from Youngstown, OH!! Bye-the way, Jill,
I hope to get some of my other students to make the trip to your line
dance workshop--we are all JOANNE BRADY fans and love MICHAEL BARR
and MICHELE BURTON too. For everyone's information it's a one day
workshop and dance Sept. 30. You can contact Jill Babinec at TOOFDDS1@AOL.COM
for more info. PS--KRISSIE--YOU ROCK! Thanks for the help on the dance
floor. It was awesome!
The jg2 event was awesome. My favorite thing about it is that you
get to see a demo of each dance at the beginning of the day so you
can decide what to take. This is something that they don't do at Ft.
Wayne, (the only workshops I've ever been to before this one) that
I now wish they would do. I would have to say that I agree with Carol
though about having the demo section at night rather than in the morning
so early after late night dancing. I wrote down each dance and choreographer
and then made quick notes on each dance so I could keep track of them
later regardless of whether I took the class here, somewhere else
or decided to learn it from a step sheet.
The thing I was looking forward to doing the most was taking a GUYTON
MUNDY class...something that I have been waiting over a year to do!
I was not disappointed!! Guyton was so nice and a super instructor.
I had an awesome time in his classes.
GUYTON'S dance "HEY! PEOPLE" is my favorite dance of the
event. It is a great dance with great feel to it. I feel awesome when
I dance it. It gives me a great feeling of accomplishment when I get
it just right. I love the way the "big side step""
on the first count and the 5th count of the dance (it's done as a
sort of hop where you land on 5) both go RIGHT with the music. It's
like it adds a certain power to the dance. Feels great!!!
I'm still working on his dance "SHAKE" another great dance
with awesome moves. I love all the funky arm and body moves. I hope
to do the FL Masters in July and keep working on this dance. I also
really liked how when he taught this dance, he mentioned that if this
was your first time of taking this class, you probably wouldn't get
the whole dance. However, what you would get from it is knowing what
the moves are supposed to look like and therefore when you go home
and read the step sheet you can work on the dance. He is right. With
it's ripple chorus it would make an awesome looking demo dance!
I also had the pleasure of meeting his lovely wife NATALIE on the
shuttle on my way from the airport to the hotel. She is a very sweet
lady and a great dancer herself. I still think she should have her
own class and teach all of us ladies how to "shake" like
she does!
Other dances that I really enjoyed learning were:
"DROP THE HEAT" by GUYTON-- A great dance with one funky
arm move that really funks the dance well. I liked how he taught the
arm moves in class. It took a little practice to do, but the effect
is well worth the time!
"GET RIGHT" by HEIDI HOLLAN and MEGAN OLSON was taught by
GUYTON on Thursday-- Nice funky little dance. (I loved how he described
the shoulder roll as "like you're throwing down with somebody"!
That really kicked...oh well!)
"JUST A MATTER OF TIME" by MICHAEL BARR --I actually took
this dance in Ft. Wayne but loved the dance so much I had to take
it again just to work on styling it. Great dance with a really nice
feel to it. Well choreographed.
"GET IT WHILE IT'S HOT" by JOHN ROBINSON --I also took this
dance in Ft Wayne and liked the dance so much I took it again just
for fun!! Great dance-- Great song.
"GET A LITTLE" , "HAPPY HOUR" and "LA TORTURA"
all taught and at least CO-CHOREOGRAPHED by JUNIOR WILLIS. All really
nice dances. "GET A LITTLE" has a great little shoulder
rock and head look that sold me on the dance instantly in the demo.
"LA TORTURA" is quick-- but fun and "HAPPY HOUR"
is a fun dance to Toby Keith's "Let's Get Drunk and Be Somebody".
Everyone that took this class now knows how to properly pronounce
the words "Left, Riiight, Left, Riiight, Left, Riiight, Left,
Riiight!!"-- thanks Junior!
STEVE LESCARBEAU choreographed and taught 3 dances that my students
and I took that were nice dances that were easy to learn and fun to
do. They were, "RING", "SLOOPY-DO" (a must for
any OSU fan!) and "YOUNG & SEXY" (a fun little dance
that can be done to A LOT of music--nice for those that dance at clubs
when a particular song you know a dance to isn't always played.
"THE FINAL GOODBYE" by JOEY WARREN is a very quick but beautiful
waltz. My only complaint about it would be the long (I think it's)
12 counts of no dancing toward the end of the dance, however, it truly
is a beautiful dance. I wish it would have been played in the big
ballroom at night so we could have tried it with Joey one more time.
"KEEP ON DANCING" by ROBBIE MCGOWAN HICKIE (nice dance!)
was taught by CHRISTOPHER PETRE and he did a great job teaching the
dance. I loved his description of the one turn as "backassward
turn" I have done that particular turn in other dances and always
felt that way about it. I never missed the turn in the dance when
I thought of it in that term.
Other dances that were taught there but I already had taken at Ft.
Wayne but really enjoyed are:
"BOMSHEL STOMP" by KAREN HEDGES and JAMIE MARSHALL
"GO GREASED LIGHTNING" by MICHELE BURTON and MICHAEL BARR
--taught this weekend by Michael. I love "Go Greased Lightning".
My group and I have done it as a finale in a show and brought down
the house.
I want to mention a few of the instructors that I felt did a really
super job. GUYTON MUNDY, MICHAEL BARR, and STEVE LESCARBEAU.
GUYTON was awesome in choreography, in his classes and in coming down
to the dances to lead his students in those dances (not to mention
willing to dance the other dances he taught that weekend while waiting
for his current class to begin. That really made the difference between
taking a class and really LEARNING a dance! Thank you, Guyton! (He
was also great in the shows and I found out he is an artist as well!)
Also thanks for letting us dance with you in "Hey! People"
during your competition. It was an awesome experience and very nice
of you to do.
MICHEAL is a great instructor. I have taken his classes at the last
two Ft. Wayne Showdowns. He is fun and thorough in his teaching. Great
dances too. I also want to thank him for dancing with us at night
and letting those of us that already knew "Go Greased Lightning"
demo it with him. That was very nice of him. I missed dancing it in
the competition as I arrived late, but it was really nice of him to
do.
STEVE was a super instructor. The class I took from him was small
and contained a very new line dancer. He did a super job. I really
liked his teaching style. He included alternative moves for those
that teach seniors or beginners (I teach all levels including seniors
and beginners so that was really nice). Also, after class he took
the time to discuss other issues of teaching with me. I was glad that
I took his class, liked his dances and enjoyed meeting him.
Finally, I really enjoyed the jg2 and I want to thank JAMES and JEAN
for a great time. Also thanks to their staff for keeping things running
so smoothly. I also want to thank all of the instructors for their
hard work and a great time.
It was good to see BRYAN MCWHERTER there since I was disappointed
that he wasn't on the teaching schedule there. I thank him for once
again being sweet and for leading me through "Pon De Replay"
which he was nice enough to teach a couple of other ladies and myself
at Ft. Wayne after one of his classes.
I also want to mention the staff at the Sheraton and thank them for
all of their assistance especially in running us to places we wanted
to go. I wish I had known about the 2:00am trip to the Waffle House
that someone else mentioned in another letter. (I assume it was by
shuttle but I could be wrong.) Oh well, there's always next year!
I had a blast!!
Misty
********************
FROM: Jennie (UK)
Just like to add that this was our first trip from the UK. The days/nights
flew by, and we all tried to be selective whilst choosing which Workshop
to attend, so, as not to burn ourselves out!! Thanks to all concerned
with the successful format. Especially, to Louie for keeping us so
well entertained with all our favourite requests till gone 5am in
the morning.
And, to our dear friend Maurice, who made us feel so at home, and
is such fun to be on the dance floor with.
See you when you are next over,
********************
FROM: GERARD MURPHY
Well 'hats off' to James and Jean....and all their volunteers for
yet another super weekend in Raleigh, North Carolina! If you haven't
attended this event, it's about time you did! The amount of options
for worshops and the built in fun throughout the four days is awesome
- and perversely exhausting!!! I've been travelling a lot since I
left NC, but didn't want to miss the opportunity to say thank you
to all the dancers that hit the event and attended my workshops...!
This was my third time at JG2 and as always I had a super time! Special
thanks to all the Ontario, Canada dancers who created space for | |